Jackson Free Press

Before now, I had hardly watched any ballets. I saw "The Nutcracker" live once when I was in elementary school and again at after a pep rally in high school. I own that soundtrack plus a couple more ballet scores, but other than that, the world of dance is a mystery to me.

But one of the perks of my job at the Jackson Free Press is receiving opportunities to cover events such as the USA International Ballet Competition. After the coverage we did in preparation for the event, I wanted a chance to see how it all came together and exactly what the big deal was about surrounding this event.

The USA International Ballet Competition began in 1979, with ballet dancer, author and educator Thalia Mara and a host of others spearheading it. People always wonder why the competition is here out of all of the incredible cities in the nation. The answer? Mara saw a need for more arts and a bigger dance community in the south. The USA IBC is one of only four ballet competitions that International Theater Institute of UNESCO has sanctioned in the world. The others are in Moscow, Russia; Helsinki, Finland; and Varna, Bulgaria. Like the Olympics, USA IBC occurs every four years, and this is its 10th cycle and 35th year.

The committee's organizers seem to have pulled out all the stops for this year's competition. On opening night June 14, a succession of speakers, including Mayor Tony Yarber and USA IBC Director Sue Lobrano, took the stage, delivering speeches on how proud Jackson is to see so many faces from so many places. Audience members watched an inspiring film about the USA IBC's history and then dancers from all around the world walked down Thalia Mara Hall's long aisles, a member of each group carrying the flag of their native country. 2002 USA IBC junior gold medalist Joseph Phillips, who is from the U.S., lit the competition's torch and stood in the middle of the 91 dancers who hail from 20 different countries.

Complexions Contemporary Ballet performed "Innervisions," a modern dance work set to Stevie Wonder songs. In leaps and bounds and turns, the troupe sent the audience to a place of love, heartbreak, self-fulfillment, beauty and the fullness of a life well-lived.

June 16, I headed to Thalia Mara Hall to cover session four of round one. Competitors included American dancers Megan Wilcox, Savannah Louis, and Olivia Gusti; Japanese dancer Mizuho Nagata; senior Korean dancers Ga-yeon Jung and Ji-Seok Ha; Mexican dancer Daniel A McCormick; Chinese dancer Mengjun Chen; Brazilian dancer Mozart Mizuyama; Phillipine dancer Jayson Sarino Pescascio; and Russian dancer Olga Marchenkova.

The dancers performed variations from ballets such as "Flames of Paris," "Sleeping Beauty" and "Swan Lake." The most impressive performances,—at least to a inexpert ballet spectator like me—were the pas de deux. Such grace and strength seem to be required, and the crowd cheered loudest at the end of those performances.

Mizuho Nagata performed the …

Last week, the Mississippi film community lost a legend.

On Thursday, March 16, Jim Dollarhide's home near Lake Cavalier in Madison went up in flames, and on Wednesday, March 23, Madison County Coroner Alex Breeland confirmed that they found the filmmaker’s body in the wreckage.

Dollarhide was born in 1952 in Greenwood, Miss., where his father, Roger Freeman Dollarhide, ran a record store called Dollarhide Music Shop.

Jim attended Murrah High School and originally planned to become a photographer. When he learned that the United States Army was going to reinstate the draft, he joined to be part of the photo corps. Ultimately, he only spent six weeks in the army and later earned his GED. After that, he received a full scholarship for photography at Hinds Community College.

After Dollarhide dropped out of college, his friend, Sergio Fernandez, asked him about working on a TV commercial. It was then that he discovered his love for cinema.

In 1977, he founded Imageworks. After Jackson flooded in 1979, filmmakers Vilmos Zsigmod and Mark Rydell asked Dollarhide’s company to shoot footage for a 1984 film called "The River," which starred Mel Gibson and Sissy Spacek.

After years of working under the Imageworks moniker, Dollardhide closed the company in 1998, though he started Dollarhide Film only a short time after.

Besides national commercial spots for brands such as Scope and NyQuil and award-winning campaigns, including his anti-tobacco spots, Dollarhide was best known for his documentaries. He scored an Academy Award nomination for Best Documentary with the film "LaLee's Kin: The Legacy of Cotton," which made the connection between poverty and the lack of education opportunities for African Americans in the Mississippi Delta. The film won an award for Excellence in Cinematography at the Sundance Film Festival in 2001. He also won the award for Best Director in the 1995 International Monitor Awards for "Harmonies: A Mississippi Overture."

In more recent years, Dollarhide created a B.B. King documentary for the B.B. King Museum in Indianola. The museum won a Muse Award, which recognizes outstanding achievement in museum media, for the film in 2009. Dollarhide, along with filmmaker Gregg Wallace, had been working on updates to the documentary since King's death in 2015.

A wake for Jim Dollarhide will be at Hal & Mal's (200 Commerce St., 601-948-0888) Thursday, March 24, from 5 to 9 p.m.

June 18 concluded the first eight cycles of the USA International Ballet Competition. Round one, which included 91 dancers, ended with 54 dancers moving to round two.

Eighteen senior male dancers have moved to round two, along with 14 senior female dancers, seven junior male dancers and 15 junior female dancers. The countries with the most dancers entering the round are Japan, the U.S., the Republic of Korea and Brazil.

Here are the competitors.

Senior Males

Aaron Smyth (Australia)

Andile Ndlovu (South Africa)

Byul Yun (Republic of Korea)

Dae Han Na (Republic of Korea)

Gantsooj Otgonbyamba (Mongolia)

Ilya Artamonov (Russia)

Ivan Duarte (Brazil)

Jeong Hansol (Republic of Korea)

Ji-Seok Ha (Republic of Korea)

Jun Tanabe (Japan)

Kota Fujishima (Japan)

Mengjun Chen (Peoples Republic of China)

Mozart Mizuyama (Brazil)

Nayon Rangel Iovino (Brazil)

Rodrigo Almarales (Cuba)

Sebastian Vinet (Chile)

Steven Loch (USA) Telmo Moreira (Portugal)

Senior Females

Arianni Martin (Cuba)

Ga-Yeon Jung (Republic of Korea)

Heewon Cho (Republic of Korea)

Hitomi Nakamura (Japan)

Irina Sapozhnikova (Russia)

Jessica Assef (Brazil)

Kaori Fukui (Japan)

Melissa Gelfin (USA)

Olga Marchenkova (Russia)

Shiori Kase (Japan)

Sirui Liu (Peoples Republic of China)

Tamako Miyazaki (Japan)

Ye Lim Choi (Republic of Korea)

Yui Sugawara (Japan)

Junior Males

Aran Bell (USA)

Blake Kessler (USA)

Daniel Alejandro McCormick-Quintero (Mexico)

Gustavo Carvalho (Brazil)

Jinsol Eum (Republic of Korea)

Taiyu He (Peoples Republic of China)

Yue Shi (Peoples Republic of China)

Junior Females

Ami Naito (Japan)

Gabrielle Chock (USA)

Gisele Bethea (USA)

Katherine Barkman (USA)

Mackenzie Richter (USA)

Mizuho Nagata (Japan)

Olivia Gusti (USA)

Paula Alves (Brazil)

Paulina Guraieb Abella (Mexico)

Rieko Hatato (Japan)

Romina Contreras (Chile)

So Jung Lee (Republic of Korea)

Victoria Wong (USA)

Yasmin Lomondo (Brazil)

Yoshiko Kamikusa (Japan)

"The dancers competing in the 2014 USA IBC are presenting a high caliber of artistic performance and skill,"USA IBC Executive Director Sue Lobrano said in a press release. "Anticipation is high moving into the Contemporary Round II."

The competition hits the pause button tonight, June 19, though, as the Trey McIntyre Project gets ready for a performance at 7:30 p.m. Lobrano said at a press conference that this will be one of the group's last performances. Round two begins June 20 at 7:30 p.m.

For more information, visit usaibc.com